Part of that is introducing a battle pass, allowing you to unlock a slew of cosmetics without sifting through endless loot boxes. But some heroes are locked to the battle pass, making it a grind to get the newest releases, even if they are free. This is a significant shift in what Overwatch is all about - experimentation; Now you have to spend hours to unlock a character to try them, and you might not even enjoy them enough to warrant that investm

Right now I have almost everything I could ever want, and I’m smart enough now to avoid wasting money on currency unless there is something I desperately want. The battle pass is one of the few means of progression right now, with the character levelling system teased in earlier trailers abandoned until PvE rolls around. Seasonal skins that used to justify events are now available whenever we like, or a part of bundles that cycle through the store each and every day.

Blizzard also revealed the highly-anticipated update to WoW Classic: Burning Crusade Classic. The first-ever expansion to World of Warcraft is getting re-released sometime in 2021. Classic players will be able to choose if they want to keep their characters in the Classic Era or advance them into the Burning Crusade Era of the game. Burning Crusade Class will be included with no additional purchase for all World of Warcraft subscrib

Overwatch 2 is going through an identity crisis right now, even if this weird transition was one that me and so many others expected. It will be a better game in the end because of this awkward growth, but right now my investment in Overwatch has arguably lessened the investment I have in its successor because there is less in it for me from the off. Don’t get me wrong, this is definitely a me problem , but aside from pushing through the battle pass I’m now stuck waiting to see what else awaits me on the horizon.

Despite my praise for the designs, Overwatch is not a game with in-depth characters - it’s all skin deep. Any attempt to flesh them out usually comes through fine print in the lore, promo reels, or external material like comic books. I understand why fans want these great designs to be built upon further, and I appreciate that a hero shooter all about utilising powers and fast PvP play is not the ideal genre for deep, interconnected stories. Overwatch has two queer characters, which is more than most triple-A games, but it’s hard to give it too much credit when their queerness has been so completely downplayed. It’s often lauded for its diversity - it even once had a GLAAD nomination - but that fact is its two queer characters are white, cis, and straight passing, while there are more playable animals and playable robots than there are playable Black women. That’s not too much of a stretch though, given that there are zero Black women in Overwatch’s heaving roster right now - Sojourn will join in Overwatch 2, but that feels too late for a game with playable 32 charact

As a - very - casual Overwatch fan , the characters have always been my favourite thing about the hero shooter. They only tell vague stories, but they’re so well designed and are bursting with such life that they feel like bigger characters than they actually are. They’re similar to comic book characters; you don’t need to have read the decades long history between Batman and the Joker, you just see their iconic designs and you instantly feel as if you know them. Whether it’s Ashe and her Wild West gunslinger aesthetic, D.Va’s e-girl vibe, or Winston the science monke, the character designs tell their own stories. That’s why the recent Archives event feels like a big missed opportun

I played a lot of Overwatch 2 lore|https://overwatch2fans.com/. I owned it across all platforms and put in hundreds of hours across a number of years since its original release. I also bought far too many loot boxes thanks to my compulsive personality and skins my brain convinced me I couldn’t live without. With the power of hindsight it was a pretty bad time, and I’m relieved the RNG has been wiped away in favour of a more honest model of purchasing skins. No longer am I toying with a slot machine and pulling myself further into a spiraling gambling obsession.

That’s an issue for another day though. Today, I want to focus on the Archives skins, particularly those of our queer characters, Soldier 76 and Tracer. The Archives event is running until April 27, and brings eight new skins to the game, each designed around a given character’s cultural history. Both Soldier 76 and Tracer are included in the event, but it’s extremely telling that neither of their cultural histories includes any reference to queerness. Soldier 76 is becoming Soldier 1776 which, I admit, is a good pun. The American soldier is donning the jacket of the Revolutionaries, these days probably best known from the musical Hamil

These days, I’m lucky enough to work in games, and that means even if I don’t get a game code, I know that I’ll be able to write about a game and make money off it. In 2016 when Overwatch released, that wasn’t the case. I’d buy new games, beat them, then flip them at a second hand shop and use that money to buy another game, and so on. That’s a big part of why single player games, with a definitive ending, matter so much to me. The Witcher, The Last of Us, Horizon, Grand Theft Auto 4, Red Dead Redemption 2, and every FIFA from 09 to 19 all entered my life that way. Countless others, too. Despite this, I still have my old Overwatch disc, gathering dust on my shelf as it dwindles in value and my play time trickles up by a few measly minutes every six months or so. There’s just something very compelling about Overwatch’s existence that never quite translates to its gamep